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FOUR BY THREE MAGAZINE

The Singularity of I, Daniel Blake

TOBY BULL

Can death signify in its singularity or is it always entrenched in a political context? Toby Bull examines Ken Loach’s Palme d’Or winning film I, Daniel Blake in the light of its political setting and contrasts Blake’s death with Gianfranco Rosi’s Gold Bear winning Fire at Sea, a documentary about the mass death of European migrant.

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Years that Passed & Years to Come

JOANNA HOGG

How do you succeed as a filmmaker, despite the increasing challenges? Award-winning British director Joanna Hogg talks to four by three magazine about her films and collective A Nos Amours, the fascination and fallibility of memory, artistic inspiration and expression and the importance of cinema.

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A Moment of Innocence and Rebellion

MOHSEN MAKHMALBAF

Is cinema saturated with the wrong intentions? Iranian filmmaker, writer and human right activist Mohsen Makhmalbaf talked to four by three about the purpose of cinema, how it relates to art, politics and philosophy, while recounting his collaboration with Abbas Kiarostami on Close-Up and the continuous censorship he is subject to.

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Saturated with Stuff

EMRYS WESTACOTT

Are our lives saturated with stuff? Philosopher Emrys Westacott questions our seemingly inexhaustible need to acquire more and more stuff, tracing this behaviour back to the dawn of humanity and showing its exploitation by modern capitalism, asking what the relationship between our stuff and our sense of identity is.

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Sonic Archeology

ABIGAIL SIDEBOTHAM

How does the past sound like? Artist Abigail Sidebotham dives into the ancient sound of an abandoned copper quarry with her experimental film Tattered Rocks, while giving rise to the sound of the present and a vision of the future, offering metaphysical reflections on the nature of language and our relation to the world.

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Defusing Before Night Falls

PETER VOSS-KNUDE

Can a civilian ever understand the experience of a soldier? Artist Peter Voss-Knude talks to war psychologist Anne Lillelund about the challenges facing soldiers returning from war, the effects of trauma and the importance of the body, whilst reflecting on his own music and practice.

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